Academic Proofreading for Near-Final Documents
A careful last check of a finished document for spelling, grammar, punctuation, typographical slips and small layout errors, delivered in tracked changes so you decide on every correction.
Proofreading, copyediting, line editing and developmental editing are different jobs, not price tiers. Each works at a different scale — from typos to the whole argument — and suits a different stage of your draft.
Think of the levels as a funnel from large to small. Developmental editing asks whether the argument and structure work. Line editing asks whether each sentence reads well. Copyediting asks whether everything is correct, consistent and follows the style guide. Proofreading is the last look for surface slips. Doing them in that order saves effort: there is no point perfecting a sentence that will be cut.
A quick test: the sentence "The datas shows that SES effect wellbeing, this is important." would be proofread to "The data show that SES affects well-being; this is important." A copyeditor would also define SES at first use and check "well-being" is spelled the same way everywhere. A line editor might write "The data show that socioeconomic status affects well-being, a finding with direct policy relevance." and query the added phrase. A developmental editor would ask whether this finding belongs in the results or the discussion, and whether it answers your research question.
English language editing for multilingual authors sits across copyediting and line editing, with explanations of recurring patterns. For assessed student work, most university policies permit only proofreading-level intervention, so the heavier levels are delivered as comments rather than changes.
A careful last check of a finished document for spelling, grammar, punctuation, typographical slips and small layout errors, delivered in tracked changes so you decide on every correction.
A thorough edit for correctness and consistency: grammar and usage, precise word choice, consistent terminology, abbreviations, numbers and capitalization, and adherence to your style guide, documented in a style sheet.
Sentence-by-sentence editing that makes your prose easier to read: untangling long sentences, cutting redundancy, improving transitions between sentences and paragraphs, and keeping your voice intact.
Big-picture editing that tests whether your argument holds together, your structure serves the reader and your evidence supports your claims, delivered as an editorial report and margin comments.
Editing designed for authors who write in English as an additional language: correcting articles, prepositions, verb forms and word order, replacing unidiomatic phrasing, and making your meaning clear to international readers.
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